Social documentary and personal investigations in contemporary South African photography: Tracey Derricks "one in Nine" series

A shell of white gauze floats against a split background in Tracey Derricks 2009 photograph, Inhabit - Habergeon - middle English, piece of armour to protect the neck and chest (Inhabit), both autonomous and materially frail. The shadowed wall lifts the calcified gauze towards the viewer, as its lithe body hovers above the vertical divide that separates light from dark. This position apart from the edge may be read as a passage missed or overcome. A year of invasive treatment following her diagnosis of stage two breast cancer in March of 2008 led South African documentary photographer Tracey Derrick to create a photographic series that combines her humanist sensibility with personal reflections on illness. Derrick represents meditations on her trajectory through illness in "One in Nine: My Year as a Statistic," a collection of reposeful digital colour photographs - including Inhabit - that features the cast Derrick made to obtain accurate measurements for her prosthesis. This body of work complicates a widely held assumption that post-apartheid photography in South Africa focuses more on the individual than collective societal issues. Derricks unusual series warrants methodological treatment that attends to the complex ways in which the visual vocabulary and concerns of apartheid-era documentary photography overlap with the personal explorations associated with post-1994 photographic production. In this paper, I utilise socio-historical, psychoanalytic and phenomenological readings of Tracey Derricks photograph and "One in Nine" series to elicit an interpretation of the image and series as statement of agency within a metaphorical battle against an invisible, yet pervasive disease. By reading Derricks photograph through these theoretical lenses, I reveal her image to be a metaphoric assertion of tenacity and Derricks agency, and highlight the areas of overlap between Derricks documentary practice and her more personal "One in Nine" project.