TY - JOUR
T1 - Mistakes Were Made
T2 - Overthinking and the Contemporary Woman Writer
AU - Micir, Melanie
N1 - Publisher Copyright:
© 2024 for the Purdue Research Foundation by Johns Hopkins University Press. All rights to reproduction in any form reserved.
PY - 2024/9
Y1 - 2024/9
N2 - This essay gives a literary account of “overthinking” women in the autofictional forms of the Brexlit era. In Patricia Lockwood’s No One Is Talking About This and Helen Macdonald’s H is for Hawk, the protagonists, both avatars for the authors, frequently find themselves having imperfect or even failed political conversations with strangers and then ruminating on their sense of their own mistakes. But rather than dismissing their sometimes cringe-inducing self-indictments, this essay suggests that overthinking, as a literary mode, is a reparative experiment in counterfactual thought.
AB - This essay gives a literary account of “overthinking” women in the autofictional forms of the Brexlit era. In Patricia Lockwood’s No One Is Talking About This and Helen Macdonald’s H is for Hawk, the protagonists, both avatars for the authors, frequently find themselves having imperfect or even failed political conversations with strangers and then ruminating on their sense of their own mistakes. But rather than dismissing their sometimes cringe-inducing self-indictments, this essay suggests that overthinking, as a literary mode, is a reparative experiment in counterfactual thought.
UR - https://www.scopus.com/pages/publications/85209210415
U2 - 10.1353/mfs.2024.a942201
DO - 10.1353/mfs.2024.a942201
M3 - Article
AN - SCOPUS:85209210415
SN - 0026-7724
VL - 70
SP - 538
EP - 554
JO - MFS - Modern Fiction Studies
JF - MFS - Modern Fiction Studies
IS - 3
ER -