Abstract
The resounding triumph of Latin American and Spanish women writers in Spanish-speaking and world literary markets in recent years is a consequence of significant changes in the gatekeeping process, as well as fundamental shifts in ideas about the relationship between the novel and the market. This paper proposes a discussion of the role of the Sor Juana Inés de la Cruz Prize, founded in 1993 and awarded each year to novels written by women in Spanish America (including Spain), in this process. The text will first discuss the prize as part of a trend of literary prizes in which women can participate exclusively, such as the Women's Prize of Fiction. It will then discuss in particular the cases of prize-winning women writers who have achieved resonance beyond the Spanish language (such as Cristina Rivera Garza, Lina Meruane, Marina Perezagua, Nona Fernández and María Gainza) as opposed to others (Silvia Molina, Ana García Bergua, Inés Fernández Moreno) whose recognition is limited to the language. In this way, the award will be used as a privileged place to discuss the mechanisms and limitations faced by Latin American women writers in concentric circles of cultural capital.
| Translated title of the contribution | THE INSTITUTIONAL DIMENSION OF THE LATIN AMERICAN WOMAN WRITER. REFLECTIONS ON THE SOR JUANA INÉS DE LA CRUZ PRIZE IN LITERATURE |
|---|---|
| Original language | Spanish |
| Pages (from-to) | 201-222 |
| Number of pages | 22 |
| Journal | Revista Chilena de Literatura |
| Issue number | 105 |
| DOIs | |
| State | Published - May 2022 |
Keywords
- cultural institutions
- Latin American novel
- literary prizes
- Sor Juana Inés de la Cruz Prize
- women writers
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