Abstract
This article examines Anthony Braxton's Composition 76, a landmark work for three multi-instrumentalists. The score for Composition 76 employs graphic techniques (colors, shapes, and codes) as well as traditional notation on five-line staves. Original transcriptions of two studio recordings illustrate the strategies that the performers use to realize Braxton's complex score, uncovering the structure of a composition previously thought to be resistant to analysis. The article also sheds light on the diverse influences that can be seen in the graphic score-and heard in the performances-from John Cage and Karlheinz Stockhausen to the Chicago-based Association for the Advancement of Creative Musicians.
| Original language | English |
|---|---|
| Pages (from-to) | 249-278 |
| Number of pages | 30 |
| Journal | Journal of Music Theory |
| Volume | 62 |
| Issue number | 2 |
| DOIs | |
| State | Published - Oct 2018 |
Keywords
- Experimentalism
- Graphic notation
- Improvisation
- Multi-instrumentalism