Improvisation and collaboration in Anthony Braxton's composition 76

  • Paul Steinbeck

    Research output: Contribution to journalArticlepeer-review

    3 Scopus citations

    Abstract

    This article examines Anthony Braxton's Composition 76, a landmark work for three multi-instrumentalists. The score for Composition 76 employs graphic techniques (colors, shapes, and codes) as well as traditional notation on five-line staves. Original transcriptions of two studio recordings illustrate the strategies that the performers use to realize Braxton's complex score, uncovering the structure of a composition previously thought to be resistant to analysis. The article also sheds light on the diverse influences that can be seen in the graphic score-and heard in the performances-from John Cage and Karlheinz Stockhausen to the Chicago-based Association for the Advancement of Creative Musicians.

    Original languageEnglish
    Pages (from-to)249-278
    Number of pages30
    JournalJournal of Music Theory
    Volume62
    Issue number2
    DOIs
    StatePublished - Oct 2018

    Keywords

    • Experimentalism
    • Graphic notation
    • Improvisation
    • Multi-instrumentalism

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