Enactive spectatorship, critical making, and dramaturgical analysis: building Something Wicked, the Macbeth video game

E. B. Hunter

doi:10.1080/14794713.2019.1633830

Enactive spectatorship, critical making, and dramaturgical analysis: building Something Wicked, the Macbeth video game

E. B. Hunter

Research output: Contribution to journal › Article › peer-review

6 Scopus citations

Abstract

This article examines the design, construction, and dramaturgical concerns of Something Wicked, the author’s combat video game adaptation of a scene from William Shakespeare’s Macbeth. In addition to offering a new close reading of the source play, this article aims to offer insights to scholars and practitioners on the process of creating digital adaptations as practice-engaged scholarship.

Original language	English
Pages (from-to)	1-17
Number of pages	17
Journal	International Journal of Performance Arts and Digital Media
Volume	16
Issue number	1
DOIs	https://doi.org/10.1080/14794713.2019.1633830
State	Published - Jan 2 2020

Keywords

Macbeth
Video games
adaptation
practice-led
spectatorship

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10.1080/14794713.2019.1633830

Cite this

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abstract = "This article examines the design, construction, and dramaturgical concerns of Something Wicked, the author{\textquoteright}s combat video game adaptation of a scene from William Shakespeare{\textquoteright}s Macbeth. In addition to offering a new close reading of the source play, this article aims to offer insights to scholars and practitioners on the process of creating digital adaptations as practice-engaged scholarship.",

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Enactive spectatorship, critical making, and dramaturgical analysis: building Something Wicked, the Macbeth video game

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Keywords

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