Abstract
Before the aftershocks of the January 2010 earthquake in Haiti subsided, writers had already begun to record their eye-witness accounts. These ‘provisional writings’ served as the basis for the creation of new literary archives as authors drafted, refined, and published their non-fiction accounts over time. Authors of fiction similarly imbued their fiction with details from life in post-quake Port-au-Prince, instilling an archival quality into their work. This chapter asks how fiction might serve as an archive. I examine how it preserves two specific narratives in the aftermath of the earthquake: Haitian mothers searching for their lost children, and the lives of queer and gender creative Haitians living in Port-au-Prince. I illustrate how fiction can record and center the lives of mothers living with the new realities imposed by the earthquake. I then focus on the depiction and portrayal of queer and gender creative individuals in novels that perform archival work by imagining and documenting individual walks of life in post-quake Port-au-Prince, preserving a record of queer Haitians’ lived struggle for visibility and acceptance.
| Original language | English |
|---|---|
| Title of host publication | A History of Haitian Literature |
| Publisher | Cambridge University Press |
| Pages | 493-510 |
| Number of pages | 18 |
| ISBN (Electronic) | 9781009485142 |
| ISBN (Print) | 9781009485111 |
| DOIs | |
| State | Published - Jan 1 2024 |
Keywords
- Archives
- Emmelie Prophète
- Gary Victor
- Haiti earthquake
- Haitian mothers
- Kettly Mars
- Makenzy Orcel
- Néhémy Pierre-Dahomey
- Queer representation in literature
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